A couple of nights ago, I had the pleasure of sitting on a really uncomfortable chair in an auditorium at Millsaps and hearing a delightful reading/concert/something/whatever performed by the following three people:
–Wesley Stace/John Wesley Harding
It is weird that these three folks were together, and also that they were in Jackson. Wesley Stace is the author of Misfortune, by George, Charles Jessold, Considered as a Murderer, and also he is John Wesley Harding, British indie pop singer/songwriter/hot guy. I loved Misfortune, I super loved by George, I started Charles Jessold but didn’t get into it and now I have misplaced it.
In high school, my now-gay non-boyfriend Jason asked if I liked John Wesley Harding. I said, “John Wesley Harding / he was a friend of mine.” Then he said “Great! He’s coming to RPM for an in-store.” I was confused, as I was talking about the Bob Dylan song. Then everyone blushed in the way that only now-gay non-boyfriends and their then-non-girlfriends can. Then when I lived in Starkville, I bought a couple of John Wesley Harding tapes (!) at Walls, the salvage store, and even though the cases were melted I really liked them! So then I felt bad about the whole in-store Bob Dylan debacle.
I have no history with Rick Moody other than I read The Ice Storm, I saw The Ice Storm, I enjoyed The Ice Storm, I bought several of his other books but didn’t read them.
And then there is my friend Joe Pernice. Frequent readers will know I love Joe Pernice. As a Pernice Brother, as a Scud Mountain Boy, as Joe Pernice, as backup harmonium player for Jimmy and the Whim-Whams, whatever. I was not so fond of his novel based on “Meat is Murder,” but that is a sacred musical document for me, and I think I expected too much. (I recently went to a book discussion about March, which I’ve already ranted about (code word: ENTRAILS), but some of the audience members were really torqued up about HOW DARE YOU PORTRAY MARMEE IN SUCH A WAY? Sacred documents are sacred documents.)
It felt special and magical that these folks were together on stage in essentially my backyard. I am at least 68% certain the power of my admiration brought them together.
Joe read from his second novel (which I’m not going to read in order to preserve our relationship!), which contained parts where the main character dried himself off from the shower with his dirty underwear, and then sang “Amazing Glow,” and the world was right for a moment. Then Rick Moody read from his essay collection On Celestial Music, and he was HILARIOUS AND AWESOME; he uses this fantastically faux serious reading voice, all boomy and trembly, and it was such fun to listen to. (The words “On Celestial Music” sound like it’s going to be boring and/or about classical music, but I promise it’s going to be something you like. He read a piece about “Try a Little Tenderness” and one about his hatred of drum machines.)
Then John Wesley Staceharding had his turn, and I was entranced. Pronounce “entranced” with a British accent and that more accurately describes things. Entronced. He was entroncing. He read from his new book, about a rock band that is repackaged as a kids’ band, and it sounds awesome and then he sang folk songs and Rick Moody sang harmonies. Then Joe Pernice sang “Goodbye Killer” and “Not the Loving Kind” and Wesley Johnstace sang more folk songs and then Johnley Westacing and Rick Moody did “In My Room” in German, which was like this (link SSFWINEF*).
Anyway! I think this is more of a diary entry than a blog post, but it was great, I had a good time, you should buy everyone’s books and records and everyone should just sit in the Millsaps auditorium and hope something else cool might happen again there some time in the future.
*so safe for work it’s not even funny